Another thing I observed is that though the performance was the demonstration that strangers can work towards the same goal with little issue. I knew a handful of students from my university (UMBC) but a lot of the faces present where new but none the less we all worked together to pull off our objectives in the performance, including standing/resting side by side and shaking hands with everyone in sight, something not usually done with people you meet on the street.
Another thing I observed is that though the performance was the demonstration that strangers can work towards the same goal with little issue. I knew a handful of students from my university (UMBC) but a lot of the faces present where new but none the less we all worked together to pull off our objectives in the performance, including standing/resting side by side and shaking hands with everyone in sight, something not usually done with people you meet on the street.
I had the unique experience of participating in Public Moves with my two toddlers, and what struck me over & over in the rehearsal and performances was that my children had no sense that anything we did was odd or strange. It was perfectly acceptable--joyful, in fact--to take the hands of perfect strangers and swing them past you, to imitate and be imitated (especially when grown-ups will join you in playing "Ring Around the Rosie!"), and to crawl, roll, and run all over "The Big Hill" with a bunch of other people, none of whom are yelling "stop that!" Josh & Laura succeeded in re-capturing some of what we often shed as adults: the beauty and pleasure of simple movements in a public space on a lovely day. I thank them for creating a work that required we let go of the "why?" we grownups often need prior to doing something that a space inspires (like doing a "crab walk" down the face of Federal Hill!) And I thank all those who let go of the "why?", who grasped my children's hands, who opened themselves to doing something out of the ordinary to take the chance that it would be art--and it was!
Come down to AVAM and see two short films about Public Moves Federal Hill. Documentary filmaker Diana Quinones Rivera presents a 15 minute documentary about the process of creating this large public art event. And Shua Group present a visual take on the spectacular public performance and installation which overtook Federal Hill, Baltimore last October.
Thank you Baltimore
Thanks all for your amazing energy. We'll let you know when we have the video piece about this project finished.
Stay active!
WYPR 88.1 Interview AND Baltimore Sun Feature Story
Joshua Bisset and Steve Bradley talk about the vision for Public Moves with host Tom Hall. Listen to interview online
Public Moves Federal Hill is a mass performance and human installation conceived and directed by Joshua Bisset and Laura Quattrocchi ofShua Group with sound by Steve Bradley. Public Moves is hosted by the American Visionary Art Musuem.
Public Moves Federal Hill is inspired by Federal Hill: a giant green angular canvas hanging in the center of a major American city – and a historic public square. On this canvas hundreds of Baltimoreans will created a work of public art inspired by everyday movement and sound. During one hour of focused engagement, movers and sounds mingle with, mirror and reshape the live space, blurring the distinction between actor, viewer and passers by and between art and life itself.
What is the sound of Federal Hill? Collaborator Steve Bradley and UrbanTells are exploring the laughter of children, the chat of walkers and the grunts of athletes .... These sounds, connected to mass movements, will be broadcast throughout the harbor as a means of connecting viewers everywhere to the gathering.
4 comments:
Another thing I observed is that though the performance was the demonstration that strangers can work towards the same goal with little issue. I knew a handful of students from my university (UMBC) but a lot of the faces present where new but none the less we all worked together to pull off our objectives in the performance, including standing/resting side by side and shaking hands with everyone in sight, something not usually done with people you meet on the street.
Another thing I observed is that though the performance was the demonstration that strangers can work towards the same goal with little issue. I knew a handful of students from my university (UMBC) but a lot of the faces present where new but none the less we all worked together to pull off our objectives in the performance, including standing/resting side by side and shaking hands with everyone in sight, something not usually done with people you meet on the street.
I had the unique experience of participating in Public Moves with my two toddlers, and what struck me over & over in the rehearsal and performances was that my children had no sense that anything we did was odd or strange. It was perfectly acceptable--joyful, in fact--to take the hands of perfect strangers and swing them past you, to imitate and be imitated (especially when grown-ups will join you in playing "Ring Around the Rosie!"), and to crawl, roll, and run all over "The Big Hill" with a bunch of other people, none of whom are yelling "stop that!" Josh & Laura succeeded in re-capturing some of what we often shed as adults: the beauty and pleasure of simple movements in a public space on a lovely day. I thank them for creating a work that required we let go of the "why?" we grownups often need prior to doing something that a space inspires (like doing a "crab walk" down the face of Federal Hill!) And I thank all those who let go of the "why?", who grasped my children's hands, who opened themselves to doing something out of the ordinary to take the chance that it would be art--and it was!
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